JPC is an international publication for practitioners, policy makers and academics.
The professional communication world has a new interdisciplinary, peer reviewed journal for practitioners, journalists, artists, policy makers and academics to exchange ideas. JPC publishes case studies, interviews, research articles, works of digital media art and sound, works of design and commentary. We invite you to become part of the JPC community.Volume 3, Issue 2 (2013) Art/Science Hybrids
EDITORS
- Guest Editors
- Steve Gibson, Northumbria University
- Stéfan Müller Arisona, University of Applied Sciences and Arts Northwestern Switzerland FHNW
- Editor-in-Chief
- Alex Sévigny, McMaster University
- Senior Associate Editor
- Terry Flynn, McMaster University
- Associate Editors
- Steve Gibson, Northumbria University University
- Josh Greenberg, Carleton University
- Andrew Laing, Cormex Research
- Sidneyeve Matrix, Queen's University
- Laurence Mussio, McMaster University
- Patricia Parsons, Mt. St. Vincent University
- Heather Pullen, Hamilton Health Sciences
- Philip Savage, McMaster University
- DeNel Rehberg Sedo, Mt. St. Vincent University
- Assistant Editor
- Shelagh Hartford, McMaster University
Table of Contents
Editorials
| Preface to the JPC special issue on Art/Science Hybrids | |
| Alex Sévigny |
| Art Into science/science into art | |
| Steve Gibson |
| Iterative Emergence of Art/Science Hybrids | |
| Stefan Müller Arisona |
Commentary
| Augmenting science through art | |
| Matthias Berger |
| Next nature: ‘nature caused by people’ | |
| Sue Thomas |
Interview
| Interview with George Legrady, chair of the media arts & technology program at the University of California, Santa Barbara | |
| Stefan Müller Arisona |
Research Articles
| Art-science and verbal articulation in hyper-visual techno-culture | |
| F. Taylor |
| Theoretical aesthetics | |
| Adam Tindale |
| Mapping art to systems thinking | |
| Paul Goodfellow |
| The superhero and the DJ: Science meets design | |
| Mikael Lindstrom |
| Social commentary through the transdisciplinary practice of audio-visual performance | |
| Léon McCarthy |
| The digitization of music and the accessibility of the artist | |
| Marius Carboni |
| Live programming for robotic fabrication | |
| Jason Lim |
Editorial Advisory Board
| Editorial Advisory Board 2013, Issue 2, 2013 | |